Military horses make perfect models. This is what I discovered while painting on Whitehall in London, a few yards down from the Household Cavalry post outside Horseguards. The horse managed to remain near-motionless for at least an hour (which is a lot longer than I did).
A few thoughts:
The hardest thing was to ignore the bustling background along Whitehall, and let it melt into one gorgeously wet wash. After the sky, this was the first part to be painted and the was that sets the high-summer mood of the painting.
Detail has a nasty habit of looking “stuck-on” if it is painted onto dry paper or has only hard edges. Look at the bike and horse: each were painted in one go, allowing the blocks of colour to merge into one another.
Dry-brush also works to break up shapes – look at the near bollards.
If in doubt, cheat. In July, no tree is quite this transparent – but if I had made the foliage opaque you wouldn’t be able to see Big Ben.
I almost gave up on this after the first wash, as it looked too boring! I had managed to head out sketching without any pencils, so as you can imagine there wasn’t much detail. Here I have started to add some detail on top with pencil as a framework for the next layer of paint. Turns out that this is quite a good fix if, like me, you have a tendency to drown your drawings in details.
More quick figure sketching from a cafe near near Place Marcel Pagnol, using a Faber Castell watercolour pencil, a Pentel Tradio Pulaman Pen(and liberal splashes of water). The pen is a recent purchase at the wonderfully antiquated Sennelier shop on the Left Bank – I couldn’t help myself. It has an unusual felt-tip “nib” which is good for quick sketches and the ink dilutes nicely with water.