Military horses make perfect models. This is what I discovered while painting on Whitehall in London, a few yards down from the Household Cavalry post outside Horseguards. The horse managed to remain near-motionless for at least an hour (which is a lot longer than I did).
A few thoughts:
- The hardest thing was to ignore the bustling background along Whitehall, and let it melt into one gorgeously wet wash. After the sky, this was the first part to be painted and the was that sets the high-summer mood of the painting.
- Detail has a nasty habit of looking “stuck-on” if it is painted onto dry paper or has only hard edges. Look at the bike and horse: each were painted in one go, allowing the blocks of colour to merge into one another.
- Dry-brush also works to break up shapes – look at the near bollards.
- If in doubt, cheat. In July, no tree is quite this transparent – but if I had made the foliage opaque you wouldn’t be able to see Big Ben.
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(and liberal splashes of water). The pen is a recent purchase at the wonderfully antiquated 
Jonathan Bray Art 