Lisbon on a Sunday feels like a shared secret. The locals progress in a relaxed fashion from café to café in the Bairro Alto, as do the beautiful antique trams that cruise up and down. Or at least, that’s what it feels like in November.
I found a choice spot on Lago do Chiado and did this quick painting over coffee and pastel de nata. It’s basically just three layers: base wash, main shapes, and detail (making sure each was fully dry before moving on).
This bit didn’t take long! I was concentrating on not making the sky too dark, and getting that washed-out, dusty feel for the mid-ground. But the most important thing is to wash it on quickly so it retains a fresh, loose feel. Lightly spraying a bit of water over the paper first helped this. I built up the colours in the central section – the only place they will actually be visible once it’s finished – and added a few vague details to the still-wet wash to break up the sameness.
Here the real painting began (and arguably finished). This stage took 75% of the time, working out the main tonal relationships and trying to link the main areas of colour. Though the painting still is obviously unfinished, this wouldn’t be apparent from the other side of the room. The fact that you are so close to the paper when painting is probably why it is often so tempting to overdo the next phase – adding fine detail.
The finished painting. Note how the dark lampposts push back the shadow area (just as the shadows in step 2 made the first wash look much lighter).
I’m not dissatisfied with it, but at 30x20cm I do think it pushes the limits of how much scene and detail you can cram onto a smallish bit of paper. More on this to come. In retrospect I should have simplified more or chosen a smaller field of view… but the sun was shining and I couldn’t resist.